CONTENTS: |
Acknowledgments | 6 | |
Introduction | Cultural Icons David Scott and Keyan G. Tomaselli |
7 |
Chapter 1 | The Absent Signifier: The Morphing of Nelson Mandela Keyan G. Tomaselli and Arnold Shepperson |
25 |
Chapter 2 | The Little Mermaid Finn Hauberg Mortensen |
43 |
Chapter 3 | The Eiffel Tower: Cultural Icon, Cultural Interface Stephanie A. Glaser |
59 |
Chapter 4 | Edvard Munch's The Scream as Cultural Icon Hans Lund |
85 |
Chapter 5 | The Holy Lance as Late Twentieth-centurySubcultural Icon Volker Schier and Corine Schleif |
103 |
Chapter 6 | The Semiotics of Cultural Icons: The Example of Britannia David Scott |
135 |
Index | 155 | |
About the Contributors | 165 |
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